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RICCI, Marco Coastal View with Tower oil painting


Coastal View with Tower
Painting ID::  8906
RICCI, Marco
Coastal View with Tower
1715-20 Oil on canvas, 106,7 x 148,6 cm Private collection

   
   
     

RICCI, Marco Landscape with Watering Horses oil painting


Landscape with Watering Horses
Painting ID::  8907
RICCI, Marco
Landscape with Watering Horses
c. 1720 Oil on canvas, 136 x 198 cm Gallerie dell'Accademia, Venice

   
   
     

RICCI, Marco Landscape with River and Figures df oil painting


Landscape with River and Figures df
Painting ID::  8908
RICCI, Marco
Landscape with River and Figures df
c. 1720 Oil on canvas, 136 x 197 cm Gallerie dell'Accademia, Venice

   
   
     

RICCI, Marco Landscape with River and Figures (detail) oil painting


Landscape with River and Figures (detail)
Painting ID::  8909
RICCI, Marco
Landscape with River and Figures (detail)
c. 1720 Oil on canvas Gallerie dell'Accademia, Venice

   
   
     

RICCI, Marco Landscape with Washerwomen fdu oil painting


Landscape with Washerwomen fdu
Painting ID::  8910
RICCI, Marco
Landscape with Washerwomen fdu
c. 1720 Oil on canvas, 136 x 198 cm Gallerie dell'Accademia, Venice

   
   
     

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     RICCI, Marco
     Italian Painter, 1676-1730 Painter, printmaker and stage designer, nephew of (1) Sebastiano Ricci. He probably began his career in Venice in the late 1690s as his uncle's pupil, concentrating on history paintings (untraced). Having murdered a gondolier in a tavern brawl, he fled to Split in Dalmatia, where he remained for four years and was apprenticed to a landscape painter (Temanza, 1738). Once back in Venice (c. 1700) he put this training to use in painting theatrical scenery. Little is known about his early development, and it remains difficult to establish a chronology for his work. A group of restless, romantic landscapes (examples, Leeds, Temple Newsam House; Padua, Mus. Civ.), painted with lively, free strokes and formerly thought to represent his early period, have now been convincingly attributed (Moretti) to Antonio Marini (1668-1725). His earliest dated works, a tempera painting, View with Classical Ruins (1702; priv. col.), and a Landscape with Fishermen (1703; ex-Kupferstichkab., Berlin; untraced), are serene and classical, close in style to tempera paintings generally dated 1710-30. This suggests that Ricci's style did not develop much, and that strong classicizing tendencies,

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